Japanese cinema Movie Review Example | Topics and Well Written Essays - 2500 words

Nipponese cinema - Movie Review ExampleThe present essay is devote to the discussion of the cultural shift from the comprehension of the warrior code among yakuza to realizing their criminal nature. At first, a large summation of attention is devoted to the discussion of the Battles without reinforce and Humanity. Then, the history of common perception of yakuza through folklore is unfolded. The difference betwixt older yakuza representation and the newer one is analysed next. Finally, global prerequisites of the cultural shift, described in Battles without Honor and Humanity, are granted one by one post-war political situation, nuclear threat, American occupation, and the corruption of the police forces.Most of the Japanese subscribe tos about(predicate) yakuza made before Kinji Fukasakus Battles without Honor and Humanity were concentrated on the confrontation of the good yakuza and the atrocious yakuza. While being outlaws they were divided by jingi - the code of honor. T hat is, good yakuza always acted in accordance with jingi, art object their opposites showed treachery, dishonor, and other signs of falling from yakuzas grace with their actions. Moreover, jingi was respected so greatly among yakuza that even evil characters had to hide their trustworthy nature from other gang members. Once the disrespect to jingi was discovered, antagonists were quickly and violently dealt with.Obviously, the real life was furthest from the ideal picture drawn by th... Indeed, Fukasakus life has made him to be able to judge about the authenticity of yakuza image in the Japanese cinema.Kenji Fukasaku was born in 1930 in hard times for Japan. At first the Japanese invasion into China, then the Second World War ending with nuclear explosions in Hiroshima and Nagasaki - constant wars have transformed the everyday life into the battle for survival. With his youth spent at that times, no wonder that Fukasakus view of a post-war Hiroshima in his Battles without Honor and Humanity is filled with cynicism and fatalism. His work as a director at the Toei studio began in 1961. At that time the studio was focused on the merchandise of historical jidaigeki films, and with the studio policy, obliging directors to simply carry out instructions rather than be creative, the film made by Fukasaku in 1973 can be perceived almost as a revolution. Battles without Honor and Humanity offer a realistic view of yakuza gangs emerging in radioactive dust of post-war Hiroshima, and at the same time Fukasakus film is very personal - it is almost like the director himself talks to us.At the beginning of the film the main character Hirono Shozo performed by Bunta Sugawara comes out of the prison where he was put for dispatching approximately American soldier. Hirono has no plans for new peaceful life instead he is instantly taken downstairs the wing of the Yamamori yakuza group. Traditionally to yakuza genre, Hirono represents a hero fallen behind the new life, whic h has changed seriously while he was in prison. The second difference between Shozo and other yakuza is that he still believes in jingi, offering loyalty to his boss, while the other